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To the Rescue

An interview with Woodstock Farm Animal Sanctuary co-founder and The Lucky Ones author Jenny Brown by Nell Alk. Photos #2 and 4 by Derek Goodwin.

The Lucky Ones by Jenny Brown and Gretchen PrimackWoodstock Farm Animal Sanctuary’s sassy co-founder/director Jenny Brown can now add published author to her resume. The Lucky Ones: My Passionate Fight for Farm Animals came out five days ago and, with assistance from her co-writer and friend (“I couldn’t have done it without her!”) Gretchen Primack, the book offers an alternately tear-jerking, howl-inducing tracing of Brown’s courageous path to the present.

From losing a leg to bone cancer at just ten years of age to working as an undercover investigator at a Texas stockyard to creating one of the country’s premier safe havens for rescued farmed animals along with her husband, Doug Abel, Brown’s story is a remarkable one. Even so, we surmise that the stories of the animals saved and cared for by WFAS—individuals who thrive when respected and loved and who suffer greatly when marginalized and commodified—are the ones she most hopes people will take away from the book.

Personally, I took it all away, and it was a great pleasure to be able to chat with Brown about The Lucky Ones. (And you can chat with her yourself at MooShoes tonight for the NYC book release party.) Read More…

Illustrating the Problem

A pictorial Q&A with artist and author Sue Coe by Nell Alk. Images courtesy of OR Books.

Cruel: Bearing Witness to Animal Exploitation

In her latest book, Cruel: Bearing Witness to Animal Exploitation, artist and author Sue Coe presents beautiful illustrations of the incredibly ugly brutalities of animal harvesting. Sketchpad in hand, Coe’s been granted access to places few industry outsiders have been, absorbing hellish scenes and putting them to paper. This is no small feat: animal exploiters generally try very hard to make their exploitations invisible, aided by consumers who try not to see. Tackling that problem from both ends, Cruel is as much a mirror as a chronicle, calmly but resolutely compelling readers to confront their own roles in the food system they’ve supported.

Observations and musings accompanying the visuals are as unflinching as the images themselves, and poignancy is in long supply. Coe’s portrayals demand an emotional response yet also ignite an intellectual one, with mostly grayscale (sometimes red-accented, sometimes beige-tinged) illustrations, handwritten notes, and sentences like these: “We have only partial glimpses of truth, as though illuminated by lightning only for a fraction of a second. If we could see what we have done to the earth, we would go mad with sorrow.” Read More…

(These) Children Are the Future

Written by Nell Alk. Photographs 1, 2, 3, and 5 by Cody Cha.

Welcome to YEA Camp!

Sleep-away camp: one of the great American rites of passage. The days-, weeks-, or months-long retreat to the wilderness that your adolescent self either excitedly anticipated or anxiously awaited (but almost always turned out to be really awesome). The adventure of living in a new setting and meeting new kids from other places. The allure of becoming friends with seemingly impossibly cool people in their high teens or early twenties (counselors) who would never have hung out with you otherwise.

YEA Camp

Generally speaking, summer camp is a blast for kids and teenagers. But what about the precocious ones who want to do something beyond campfires and kickball? The ones who care about animals, the environment, or human rights? Who see meat-laden menus or social clique-ing and think, “No thanks!”?

Nora Kramer, a veteran volunteer experienced in grassroots activism, came to their rescue in 2009 when, in grand activist tradition, she organized the solution herself: Youth Empowered Action (YEA) Camp, which started as a single location in Oregon and has expanded to locations in California and New Jersey. In many ways it’s like a typical summer camp, with games and community-building and outdoorsy stuff. What’s different is that the kids spend much of their time learning to become better advocates for the causes that matter most to them. And the mess hall isn’t so much of an ethical mess, since it’s 100% vegan. Read More…

Heading Toward the Light

Written by Dan Mims. Photos #2-4 courtesy of Derek Goodwin.
a custom light fixture atop the roof of Aurora Lampworks

Like many good things, Aurora Lampworks, a lighting restoration and custom fabrication house (see example above), is a little hard to find. 172 North Eleventh Street in Williamsburg, Brooklyn, is the address, and that’s good enough for determining the block. Along that stretch, I walk right by the narrow, nondescript door that looks at best like a side entry, not for public use. Failing any likelier options, my feet wander back and eyes scan around, finally settling upon a tiny wooden sign high above, adorned with a lightbulb carving. Read More…

Something for Everyone

An interview with Haven’s Kitchen owner Alison Schneider by Nell Alk.

Alison Schneider in the lounge of Haven's Kitchen

Meet Alison Schneider—the glowing, self-effacing brainchild behind Haven’s Kitchen in Manhattan’s Chelsea neighborhood. Haven is a multi-purpose culinary space on a mission of sustainability, located in le plus chic carriage house we’ve ever had the pleasure of stumbling upon. (Literally. When it initially opened a few months back, I twisted my ankle doing a double take while walking past. No joke!) Read More…

Beating a Bear Market

Written by Nell Alk. Photos #1 and 2 by Jo-Anne McArthur of Animals Asia Foundation.

A Rescued Moon Bear | photographed by Jo-Anne McArthur

Those in the know know that Western culture has a tremendously long way to go regarding the way we treat other species. We also know that the animal protection movement is a global one, not to be constrained to praising or criticizing the practices of any one region in particular.

Still, when Western animal advocates think about China, we generally think of the world’s most merciless environment of animal abuse. Even cursory protection laws there seem either non-existent or unenforced, and, culturally, there seem to be no “sacred cows.” We think about dogs and cats routinely factory farmed; insane folk traditions about ingesting tigers’ testicles or rhinos’ horns to enhance sexual performance; stray dogs (and sometimes domesticated ones) being bludgeoned to death on the street by government authorities; the world’s highest consumption of fur products, the world’s largest exports of finished fur products, and the world’s least regulated fur farming industry, relentlessly torturing and then skinning animals, often while still alive; unchecked industrial pollution extinguishing local species such as the baiji; and bile farms where native Moon Bears are kept in immobilizing “crush cages” for up to thirty years in order to painfully milk their bile for its inessential medicinal value via open-wound catheters. All this is in addition to practicing the familiar animal exploitations we know too well in the West but with even less regulation or political pressure to meet minimal standards of care.

A Moon Bear Goes for a Swing at Sanctuary | photographed by Jo-Anne McArthurThat’s a long rap sheet. Yet news of local resistance—a dramatic citizen rescue of dogs on their way to slaughter, or the establishment of a new Moon Bear sanctuary—is peeking optimistically through, and if you’ve heard of those bear sanctuaries, you’ve heard about the work of a singular and determined organization: Animals Asia. Begun by Jill Robinson in 1998, the nonprofit is devoted to the protection of both wild and urban animals in Asia. As part of a measured yet ambitious campaign to end bear farming, Animals Asia has established several sanctuaries, providing safe havens for abused bears and logistical solutions for what do with the bears whenever the organization manages to close such a farm. That’s happened an impressive 43 times, by the way. Read More…

Reality Intrudes at the Oscars (pt. 2)

An interview with Lucy Walker by Nell Alk. Photos courtesy of The Tsunami and the Cherry Blossom

Here’s Part 2 of our interview with Lucy Walker, director of Academy Award-nominated short film The Tsunami and the Cherry Blossom. (Check out Part 1 of the interview here.) Read More…

Reality Intrudes at the Oscars (pt. 1)

An Interview with Lucy Walker by Nell Alk. Photos courtesy of The Tsunami and the Cherry Blossom

Lucy Walker during shooting

London-born, L.A.-based documentarian Lucy Walker cares about the losers. I don’t mean the indie flick, John Hughes-style loser-darlings who try their angsty hardest to reject the system, somehow managing only to reinforce it along the way. I mean the real-life losers of economic, political, and social games large and small, most of whom aren’t even invited to play in the first place. Read More…